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question:Here is a piece of text: DOWNTOWN MUSIC PUBLISHING has appointed ANDREW GOULD SVP and Head of A&R/NORTH AMERICA and COREY ROBERTS as VP/A&R Research. Previously Co-Head of A&R at BMG, GOULD will oversee the company's A&R, writer relations, and creative development operations in NORTH AMERICA. After leading A&R Research at SONGS Publishing, ROBERTS will be responsible for the discovery and study of the analytics behind artists and songs, both new and old, in order to identify potential new opportunities for DOWNTOWN. "Modern songwriters need partners in both thought and action -- partners who can support them in their mission to bring the best possible songs into the world," DOWNTOWN CEO JUSTIN KALIFOWITZ said. "In ANDREW, we have found a strong advocate for the global songwriting community. One who recognizes that song copyrights are not units of currency, but rather the building blocks of popular culture. As we continue to increase our investment in the next generation of songs and songwriters, we are excited to have a proven leader like ANDREW mentoring our team and supporting our clients alike." "The best songwriters possess the rare gifts of heightened observation and awareness in order to create art that matters," GOULD said. "DOWNTOWN approaches the publishing space in the same way. JUSTIN and his team have a completely fresh perspective on what a great publishing company looks like today and in the future, both in terms of supporting the creative process and staying at the forefront of innovation. I am thrilled to step into this role at this exciting time in music, and work alongside COREY and the talented A&R team in L.A." Based on the text material above, generate the response to the following quesion or instruction: How does DOWNTOWN CEO Justin Kalifowitz view song copyrights and the role of A&R in the music industry?
answer:DOWNTOWN CEO Justin Kalifowitz views song copyrights as building blocks of popular culture rather than units of currency. He believes that modern songwriters need partners who can support them in bringing the best songs into the world, and that the role of A&R in the music industry is to mentor teams and support clients in increasing investment in the next generation of songs and songwriters.
question:Can you provide more information about Corey Roberts' role at DOWNTOWN?
answer:Corey Roberts has been appointed as the VP/A&R Research at DOWNTOWN Music Publishing. He will be responsible for the discovery and study of the analytics behind artists and songs, both new and old, in order to identify potential new opportunities for DOWNTOWN. With his previous experience as Head of A&R Research at SONGS Publishing, Roberts is expected to bring his expertise in analyzing song data to DOWNTOWN and help the company stay at the forefront of innovation in the music industry.
question:That sounds great. Can you tell me more about Andrew Gould's background and experience?
answer:Andrew Gould has been appointed as the SVP and Head of A&R/North America at DOWNTOWN Music Publishing. Previously, he was the Co-Head of A&R at BMG, where he was responsible for the record-label's roster of songwriters, including contributions to popular songs such as "Bad and Boujee" by Migos and "Humble" by Kendrick Lamar. With his extensive background in A&R, Gould will be overseeing DOWNTOWN's A&R, writer relations, and creative development operations in North America. Before working at BMG, he was the Head of A&R at Primary Wave Music Publishing and A&R at Jive Records.
question:Given the text: Definition : Simulators designed to produce sounds and murmurs mimicking the timing and pitch of actual heart sounds. In addition to the normal heart sounds, the simulators can mimic other sounds such as clicks, snaps, murmurs, and regurgitation. These simulators usually include an anatomic model of the torso or head, with the neck and torso showing the anatomic landmarks. The torso model is also used to detect and recognize the correct anatomic locations of the sounds. Some of these simulators include capabilities for simultaneous electrocardiograph and/or phonocardiograph display, speakers for auditorium listeners, and auscultation units for group listening of a patient's heart sounds. Heart-sound simulators are used for training of healthcare staff in the auscultation of normal and abnormal heart sounds; some simulators may also include breath and/or bowel sounds. Entry Terms : "Heart Sound Simulators" , "Heart Sound Training Simulators" , "Simulators, Cardiac, Heart Sound" , "Training Aids, Heart Sound" Cardionics designs and manufactures all of its own products and marketing is done on a worldwide basis. Pinnacle Technology Group, Inc. Is pleased to have served our customers in the medical training market for over 30 years and our goal is to continue providing the highest quality state-of-the-art products possible. Our Pinnacle simulators use "Real Patient Data" for a more realistic training experience. We pride ourselves on superior customer service and the relationships we build are long term customer oriented to best serve you. How do some heart sound simulators differ from others in terms of their capabilities and features?
answer:Some heart sound simulators may include anatomic models of the torso or head with landmarks, simultaneous electrocardiograph and/or phonocardiograph display capabilities, speakers for auditorium listeners, and auscultation units for group listening. Additionally, some simulators may also include breath and/or bowel sounds. Simulators may differ in their level of realism, using "Real Patient Data" for a more realistic training experience. Different manufacturers may also have different marketing strategies and customer service approaches.