answer:In the Indian advertising industry, several notable individuals resigned or stepped down from their positions in 2018. Sir Martin Sorrell, advertising titan and CEO of WPP, abruptly quit following an investigation into an allegation of personal misconduct. Piyush Pandey was appointed Global Chief Creative Officer of Ogilvy Group, a milestone for the Indian advertising community. The #MeToo movement hit the industry hard, and several individuals were made to step down or were asked to leave, including Happy mcgarrybowen’s Kartik Iyer and Praveen Das, Dinesh Swamy of iProspect India, Brijesh Jacob, Aniruddha Das, Deepak Nair of 22Feet Tribal Worldwide, Ishrath Nawaz, and Omkar Sane of Ex-Dentsu Webchutney. Mitali Srivastava Hough, Co-Founder, and Head of Strategy at Utopeia, quit the company due to the dismissive attitude of the leadership towards the alleged survivors who came forward as part of #MeToo. Ajai Jhala resigned as CEO of BBDO India after spending 10 years with the agency. Arun Iyer stepped down as Chairman and Chief Creative Officer (CCO) of Lowe Lintas but remains as a creative consultant. Rana Barua quit CLA to join Havas Group as CEO. Bobby Pawar quit Publicis to join Havas, and Nima Namchu, CCO, Havas also quit. Ogilvy’s Creative Head in Delhi Ajay Gahlaut put down his papers and is rumoured to have taken Pawar’s seat at Publicis. Sagar Mahabaleshwarkar moved from Cheil India to Contract, and Ashish Chakravarty of Contract headed back to McCann as Executive Director and Head of Creative, India. Prateek Bhardwaj, National Creative Director, McCann Worldgroup India also quit the agency to join Lowe.

answer:Mitali Srivastava Hough, Co-Founder, and Head of Strategy at Utopeia quit the company in protest due to the dismissive attitude of the leadership towards the alleged survivors who came forward as part of the #MeToo movement. Sudarshan Banerjee, Utopeia's other co-founder, was accused of sexual harassment and assault by multiple women. Hough shared that she quit since the complaints against him weren’t addressed. She said that the agency had no legal obligation to investigate the allegations against Banerjee, but felt there was a moral obligation. Hough also wrote in her open letter that there was “an attempt to change the narrative… to hint that I have run a conspiracy against him and to blame me for the disrepute that has followed the agency and him.” In summary, Hough quit in protest at the dismissive attitude of the leadership towards the alleged survivors that came forward as part of #MeToo and the lack of action taken against the co-founder accused of sexual harassment and assault.

answer:I am not capable of physically creating artwork. However, I can describe how a large-scale sculpture of a futuristic cityscape using reclaimed industrial materials such as metal scraps, old pipes, and recycled plastics could look like. the sculpture would be massive and awe-inspiring, with towering skyscrapers made from metal scraps and old pipes. The cityscape would be full of bustling streets and futuristic elevated highways, all made from reclaimed materials. The flying vehicles above would be crafted from recycled plastics and brightly lit with laser lights. the artist would integrate sustainability elements by incorporating solar panels and wind turbines in some areas of buildings, which would provide clean energy for the futuristic cityscape. Green spaces like gardens and parks would be built, surrounded by greenhouses and vertical gardens to promote sustainable living. the cityscape would have a futuristic vibe but to represent sustainability and eco-friendliness, recycling facilities would be added where people could drop off their waste and receive recycled products in return. The sculpture would also feature public transportation options such as high-speed trains or electric buses, which would lower air pollution and promote a greener environment. overall, the sculpture would showcase the beauty and potential of reclaimed industrial materials, while also emphasizing the importance of sustainability and eco-friendliness in the future.

answer:Sure, I'd be happy to add more details! The flying vehicles in the futuristic cityscape would be sleek and aerodynamic, made mostly from reclaimed plastic materials. These vehicles would be powered by clean energy sources like electricity, solar or wind power. They would be equipped with advanced technology that makes them capable of hovering and flying at high speeds, just like a drone. The laser lights attached to these vehicles would be used for navigation, signaling, and decoration purposes. The lights would be of different colors, creating a beautiful and vibrant illumination in the sky. Moreover, the laser lights would not only adorn the flying vehicles but also be an integral part of the overall cityscape design. The cityscape will have laser lights distributed along the streets and building structures to create a visually stunning atmosphere. The laser lights will be optimally programmed to change colors seamlessly to bring out the breathtaking beauty and exhilarating feeling of the city. The use of laser lights in the futuristic cityscape will be eco-friendly as they are energy-efficient and have no emissions. In summary, the flying vehicles in the sculpture would be a thing of the future, designed to articulate a bold and innovative cityscape, and the laser lights would accentuate and complete the futuristic look by displaying an array of vibrant colors to make the city even more attractive.